Montreal-based Renaud Hallée creates music-centered short films and interactive projects. We’ve previously featured Combustion, Gravity and Sonar. In Renaud’s new film, The Clockmakers, trampolinists trigger mesmerizing musical sequences with their acrobatics.
Animation du Québecois Renaud Hallée, héritier revendiqué et non moins talentueux de son illustre compatriote Norman McLaren
“Manual of Evasion” Edgar Pêra, Lisboa, 1994 : profetic! (with Terence Mac Kenna, Robert Anton Wilson, Rudy Rucker…) don’t miss his 2013’s “SINESAPIENS”:
CINESAPIENS is a krypto-musical history of the Battle between Amazement and Faith, between voyeurism and exhibitionism in cinema. Cinesapiens is the last segment from the feature 3X3D, also by Jean-Luc Godard and Peter Greenaway. Edgar Pêra + H.P. Lovecraft Produced By Rodrigo Areias – Guimarães Capital Europeia da Cultura 2012- Photo: Luis Branquinho 3D Post-Production Edmundo Rivotti Krypto-Rotograph Mário Rivotti Set Ricardo Preto Wardrobe Susana Abreu Infographix Cláudio Vasques Post Production Assistant Miguel Pereira
Ce qu’on appelle le Logos, le champ de Higgs, le son primordial OM et mille autres noms à travers l’histoire… Dans la première partie de Inner Worlds, nous explorons la seule source vibratoire qui s’étend à travers toutes choses, par la science de la cymatique, le concept du Logos, et le concept védique de Nada Brahma (l’univers est son ou une vibration)…
O que tem sido chamado o Logos, o campo de Higgs, a som primordial OM e mil outros nomes ao longo da história… Na primeira parte de “Mundos Internos”, exploramos a fonte de vibração que se estende através de todas as coisas, através da ciência da cymatics, o conceito do Logos, o conceito védico de Nada Brahma (o universo é som ou vibração)…
What we used to call the Logos, the Higgs Field, the Primordial OM and a thousand other names throughout history… In part one of Inner Worlds, we explore the one vibratory source that extends through all things, through the science of cymatics, the concept of the Logos, and the Vedic concept of Nada Brahma (the universe is sound or vibration).
Cette construction n’utilise que des matériaux naturels ou recyclés… Michael Buck, ancien professeur d’art, a bâti cette maison en 8 mois, grâce à l’ancienne technique de torchis -mélange de sable, d’argile, de paille, d’eau et de terre- Les murs ont été façonnés sans aucun outil mécanique ou électrique. La charpente est constituée de bois simple et le toit est en chaume, avec la paille de ses champs. Les 30m² de plancher ont été récupéré d’un voilier à la casse tandis que des pare-brise de camion ont fourni les fenêtres… (merci à Sara David Lopes pour le lien)
Esta construção usa apenas materiais naturais ou reciclados … Michael Buck, um ex-professor de arte, construiu esta casa em 8 meses, com a antiga técnica de cob-mistura : areia, argila, palha, água e terra. Paredes foram moldadas sem nenhuma ferramenta mecânica ou elétrica. A estrutura do tecto usa madeira simples e o telhado palha dos seus campos. Os 30m ² de piso foram recuperados num veleiro da sucata, enquanto pára-brisa de camião serviram para janelas … (obrigado à Sara David Lopes pelo link)
Un catalogue de diverses maisons réalisées en torchis
Uma coleção de várias casas construídas comareia, argila, palha, água e terra
A collection of various artistic designs of cob built homes.
So it use to be our home, with roof and basement, with farm and garden all around, now it’s diseases and medicines, and the worst is coming, the good times are gone: what do we feel now ?
the madness, the sickness, the stress…
this stoned naked engine will follow its wanderings, sucked by the winds, the big blue has lost all its color now:
Mother Hearth doesn’t feed her children no more.
the madness, the sickness, the stress, of loosing our head, oh! scared to death of dying of fear !
the madness, the sickness, the stress…
shall it hurt, shall it pain? At the end of the edge, we are dying to ask: what will happen next? oh! loosing our head, oh oh, scared to death of dying of fear: the madness, the sickness, the stress of loosing our head, oh oh scared to death of dying of fear : the madness, the sickness, the stress…
Le cinéaste David Lynch a sorti son deuxième album “The Big Dream” le 15 Juillet 2013
O cineasta David Lynch lançou seu segundo álbum “The Big Dream”, este 15 de Julho
Filmmaker David Lynch released his second album “The Big Dream” on July 15
Connu et reconnu pour ses films, David Lynch s’est également illustré, tout au long de sa carrière et de façon plus confidentielle, dans la peinture, le design… et la musique.
-Notoriamente conhecido pelos seus filmes, David Lynch também tem mostrado gosto pela pintura, design … e música, todo ao longo de sua carreira.
Famously known for his films, David Lynch has also shown interest -even confidentially- for painting, design … and music, all along his career.
En effet, le réalisateur a tout d’abord participé à tout ou partie des bandes originales de ses films –Eraserhead, Elephant Man, Blue Velvet, Sailor & Lula, Twin Peaks,Lost Highway, Mulholland Drive et Inland Empire– dès la fin des années 70, s’est essayé à la production pour l’actrice et chanteuse américaine Julee Cruise (qui interprétait notamment le générique de la série Twin Peaks) à la fin des années 80 et au début des années 90, a enregistré un album rock avec John Neff en 2001 puis a participé au projet audiovisuel Dark Night of the Soul de Brian Burton (alias Danger Mouse) et du regretté Mark Linkous. Enfin, en 2011, il se lançait en solo avec l’album Crazy Clown Time, que l’on qualifiera d’electro sombre expérimentale.
-Na verdade, o director tem sempre participado em todo ou parte dos seus filmes originais, Eraserhead, Homem Elefante, Veludo Azul, Coração Selvagem, Twin Peaks, Estrada Perdida, Mulholland Drive e Inland Empire desde o final dos anos 70 anos; tambem produziu a atriz e cantora Julee Cruise (que cantou no genérico da série Twin Peaks). Em finais dos anos 80 e início dos anos 90, gravou um álbum rock de John Neff e, em 2001, participou no projeto audiovisual Dark Night of the Soul por Brian Burton (aka Danger Mouse) e o falecido Mark Linkous. Finalmente, em 2011, lançou o álbum solo Crazy ClownTime, que se pode qualificar de electro experimental escuro.
Indeed, the director participated in all or part of its original movies, Eraserhead, Elephant Man, Blue Velvet, Wild at Heart, Twin Peaks, Lost Highway, Mulholland Drive and Inland Empire from the late 70 years, has tried to produce for the actress and singer Julee Cruise (who played for the generic of the Twin Peaks serie) In the late 80s and early 90s, recorded a John Neff’s rock album in 2001 and participated in the audiovisual project Dark Night of the Soul by Brian Burton (aka Danger Mouse) and the late Mark Linkous. Finally, in 2011, he launched a solo album with Crazy Clown Time, that could be qualified as “dark experimental electro”.
The Big Dream comprend onze titres originaux et une reprise de Bob Dylan dans sa version standard, ainsi qu’une chanson bonus intitulée I’m Waiting Here, enregistrée avec la chanteuse suédoise Lykke Li , dans sa version vinyle.
The Big Dream inclui onze temas originais e um cover de Bob Dylan em sua versão padrão e uma canção bônus intitulado “I’m waiting here”, gravada com a cantora sueca Lykke Li , numa versão em vinil .
The Big Dream includes eleven original tracks and a cover of Bob Dylan in its standard version and a bonus song entitled I’m Waiting Here, recorded with the Swedish singer Lykke Li , in its vinyl release .
01 The Big Dream
02 Star Dream Girl
03 Last Call
04 Cold Wind Blowin
05 The Ballad of Hollis Brown (reprise de Bob Dylan)
06 Wishin’ Well
07 Say It
08 We Rolled Together
09 Sun Can’t Be Seen No More
10 I Want You
11 The Line It Curves
12 Are You Sure
13 I’m Waiting Here (ft. Lykke Li
So it use to be our home, with roof and basement, with farm and garden all around, now it’s diseases and medicines, and the worst is coming, the good times are gone: what do we feel now ?
the madness, the sickness, the stress…
this stoned naked engine will follow its wanderings, sucked by the winds, the big blue has lost all its color now:
Mother Hearth doesn’t feed her children no more.
the madness, the sickness, the stress, of loosing our head, oh! scared to death of dying of fear !
the madness, the sickness, the stress…
shall it hurt, shall it pain? At the end of the edge, we are dying to ask: what will happen next? oh! loosing our head, oh oh, scared to death of dying of fear: the madness, the sickness, the stress of loosing our head, oh oh scared to death of dying of fear : the madness, the sickness, the stress…
All around is mist and fog
Open spaces are closing down
In anyway perfectly lost
In any group feeling alone
No way out of this cave
With that rock's locked doors
Bleeding knees and raging nails
Trembling to scrape the world
Still we believe we are the best?
Able to touch the stars
Earning to go so high
By any lifts, stairs or flies
Do we really need to join
that old hypocrite jokes
Just as fool as clowns
In a never-ending fall.
Is there a down after the sunset?
Is there a bridge on this canyon?
At least a breeze in the desert
Or a pit-bull to walk alone?
Better silence than screams
Drops rolling down the creek
Some breeze lost on the crown
Tells me I'm still strong!
...
Do we really need to join that old hypocrite jokes
just as fool as clown in a never-ending fall
a rainbow over the roof
smashing up those shadows
Sparks and fireflies
Anywhere must keep on shine